“妙悟论”作为古代书家习得笔法的重要途径,其出现与唐代及以后技法理论的发展密切相关,它的获取过程并非一蹴而就,而是书家长期精研笔法的结果,它将古代文字论中“书肇于自然”的思想纳入到书家探求笔法的理论体系之中,使从自然物象中参悟笔法成为可能,它表明古代书家创造性地认识到了笔法与天地万物的相通之处,从而达到“触彼通我”的境界。 As an important way for the ancient calligraphists to learn the techniques of writing, the appearance of the “marvelous thoughts” is closely related to the development of the theory of techniques in the Tang Dynasty and beyond. The acquisition process is not accomplished in a single step, It incorporates the thought of “book originating in nature” in the ancient literary theory into the theoretical system of calligraphic exploration of stroke style, making it possible to observe the stroke style from natural objects. It shows that ancient calligraphers creatively recognized the relationship between brushwork and All things in common place, so as to achieve “touch each other me” realm.