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二十世纪八十年代以来,研究中国戏曲史的当代学者,越来越重视田野遗存对于戏曲史的参证作用,特别是那些带着浓郁原生态特点的演剧,为中国戏曲史的重新审视,提供了重要的理论视角。
Since the 1980s, contemporary scholars who study the history of Chinese opera have paid increasing attention to the field testimony of historical relics to field relics, especially those performances with rich original features and reexamining the history of Chinese opera , Provides an important theoretical perspective.