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中国戏曲以表演程式为体现手段,以对形象的剖析为艺术方法而自成学派。一切艺术都有自己的程式,取消了它的程式,这种艺术就不存在了。对于戏曲来说,唱、念、做、打、舞的艺术形式,是结合戏曲表演的艺术细胞;它完全是以诗、画、声乐、器乐、工艺等诸多的表现程式来进行形象思维的。取消了泛美的程式,就等于拆除了它的艺术大厦;取消了它的非生活幻觉,也就取消了它的生活幻觉。这是因为戏曲表演形象思维和话剧乃至影视表演的形象思维的不同,就在于戏曲的体现是从非生活幻觉到生活幻觉,而话剧乃至影视是自然形态的直接创造
Chinese operas use acting programs as means of reflection and analyze their images as artistic methods. All art has its own program, canceled its program, this art does not exist. For the opera, the art forms of singing, reading, doing, playing and dancing are the artistic cells that combine the performance of the traditional opera. It is based entirely on the expression programs of poetry, painting, vocal music, instrumental music, craft and so on. The abolition of the Pan-American program amounts to the dismantling of its art building; the cancellation of its non-life illusion and the cancellation of its illusion of life. This is because the difference between the image thinking of the drama performance and the image thinking of the drama and the film and television shows is that the performance of the drama is from the non-life illusion to the illusion of life. The drama and the film and television are the direct creation of the natural forms