1960年代的台湾音乐文化正笼罩在“全盘西化”氛围中,音乐学院中所教授的多为西方作曲技巧。当时代知识分子对于台湾音乐的兴趣,仍停留于1930年代以来有关民歌文学的整理。1962年6月21日,《联合报》新艺版“乐府春秋”专栏,曾赴欧深造的作曲家史惟亮发表对“维也纳的音乐节”的观察,进而质疑:“我们需不需要自己的音乐?”同年7月,同为赴欧的作曲家许常惠回应 Taiwanese music culture in the 1960s was shrouded in an atmosphere of “total Westernization.” Most of the conservatories in the Academy of Music teach western compositions. When intellectuals in the era of interest in Taiwan music, still remain in the 1930s since the folk literature. On June 21, 1962, “United Daily News” and “Yuefu Chunqiu” column, the composer Shi Weiliang, who went to Europe for further studies, published an observation on “Music Festival in Vienna” and questioned: “We need Do not need their own music? ”In July of the same year, with the same composer Xu Changhui to Europe to respond