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书画同源这个命题对近代艺术的意义也许大干在古代的实际功效。吴道子学书不成而成画圣。引书法入画铸就了中国文人写意传统,而欧洲抽象艺术则把中国书法的书写性提升为绘画的现代本质。从中国的唐宋到清代,从欧洲的文艺复兴到西方现代,绘画同趋于书法。当然,这并非就图像表象而言,而是从绘画观念与方法论而言:
The significance of the proposition of the same origin of painting and calligraphy to modern art may greatly contribute to the actual effect in ancient times. Wu Daozi books failed to form a painting Saint. The introduction of calligraphy into the traditional Chinese literati art of painting, while the European abstract art put the calligraphy of Chinese calligraphy raised to the modern nature of painting. From the Tang and Song dynasties in China to the Qing dynasty, from the Renaissance in Europe to the Western modern times, the painting tends to calligraphy. Of course, this is not a matter of pictorial representation, but of pictorial ideas and methodologies: