选择“海明威与现代主义”这样的命题,不是为了要把海明威简单地纳入现代主义,而是因为,在我们这里,海明威主要是被视为一个“现实主义作家”而受到重视,按照这样一种认定,海明威的文学面貌被简化了。本文将围绕四个问题,主要通过对《太阳照样升起》《永别了,武器》《丧钟为谁而鸣》和《老人与海》的分析揭示海明威与现代主义的联系。 The proposition that choosing Hemingway and modernism is not intended to simply include Hemingway as a modernist, but rather because, here, Hemingway is valued primarily as a “realist writer” According to such a finding, Hemingway’s literature has been simplified. This article will focus on four issues, revealing the connection between Hemingway and Modernism mainly through the analysis of “the sun still rises”, “Farewell to Arms,” ​​“Whom the Bell Tolls for Who,” and “The Old Man and the Sea.”