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相对于悲剧与正剧,上世纪40年代喜剧创作“占有特别突出的地位”。在众多的喜剧作品中,政治讽喻喜剧的兴盛又构成一个重要的话剧现象。随着抗战进入相持阶段,剧作家更加深切地感受到了时局的动荡与现实生活的不堪,于是,以左翼知识分子为主体的剧作家纷纷将笔触转向对腐败当局的
Compared with the tragedy and the drama, comedy creation in the 1940s “occupy a particularly prominent position.” Among many comedy works, the rise of political allegory and comedy constitutes an important phenomenon of drama. As the anti-Japanese war entered the phase of stalemate, the dramatists felt the turmoil of the current situation and their real life more deeply. As a result, dramatists with the left-wing intellectuals as the main body turned their brushstroke to the corrupt authorities