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亚纳切克作为20世纪捷克民族乐派的代表,最近几年逐渐走近人们的视野。尽管其歌剧创作在音乐史中留下浓墨重彩的一笔,国内外学者也相继进行了大量深入的研究。但钢琴音乐的研究在国内仅寥寥几篇论文,还远没有普罗科菲耶夫、里盖蒂等20世纪作曲家的研究成果多。本文拟从亚纳切克较为知名的三部钢琴作品钢琴奏鸣曲《街景,1905年10月1日》(1905)钢琴套曲《杂草丛生的小路》和钢琴小品集《在雾中》创作背景、写作特征和演奏技术难点三方面入手,对亚纳切克这三部钢琴代表作进行分析,以期管窥亚纳切克钢琴作品的演奏风格和演奏技术特征。
As the representative of the Czech national music school in the twentieth century, Janicechek gradually approached the people’s vision in recent years. Although his operatic writing has left an indelible mark in the history of music, scholars both at home and abroad have carried out a great deal of in-depth research in succession. However, the study of piano music in China only a few papers, but also far from Prokofiev, Riggetti and other 20th century composers more research. This article is from the more famous Jannache piano Piano Sonata “Street Scene, October 1, 1905” (1905) piano cover song “overgrown weeds” and piano piece set “in the fog” creative background, Writing features and technical difficulties in three aspects, analyzes the three masterpieces of Janicec in order to get a glimpse of the playing style and performance characteristics of Jannachek’s piano works.