崇高从静态的逻辑范畴转化为动态的历史范畴，这是和谐说中最具启发性的思想内容。以崇高与和谐的关系为依据，和谐说分为前后两个时期。在前一个时期中，崇高仅仅是从属于和谐的一个短暂的过渡性范畴，而在后一个时期中，崇高的比重则逐渐加大，在理论上也更加深化。对于中国现代美学来说，如何突破狭隘封闭的古代和谐，如何在崇高美理想的引导下走向未来的发展，这仍是一个值得重视和研究的重大课题。 Sublime from the static logical category into a dynamic historical category, which is the most enlightening thought of harmony content. Based on the relationship between sublime and harmony, harmony is divided into two periods before and after. In the previous period, sublime was subordinate to a transient transitional category of harmony. In the latter period, the proportion of sublime was gradually increased and deepened theoretically. For Chinese modern aesthetics, how to break through the narrowly closed ancient harmony and how to lead the future development under the guidance of sublime beauty is still a major issue that deserves our attention and research.