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在雕塑发展的过程中,经历了演变创新的不同阶段,雕塑形态和表现手法也随之改变。在不同程度的转变状态下观者对雕塑形式的创新变得越来越包容,并有意推向极致。传统雕塑的概念也变得宽泛,逐渐界于边缘化。对雕塑语言和雕塑边缘化这种状态的关注和探索需要一个界限和统一。借助雕塑语言的丰富性进行拓展研究,表达新的创新形式,体现新的审美内涵。
In the process of the development of sculpture, it has undergone different stages of evolution and innovation, and the shape and expression of sculpture have also changed. In varying degrees of change of state, the viewer is more and more tolerant of the innovation of the sculptural form and intends to push it to the extreme. The concept of traditional sculpture has also become more extensive, gradually marginalized. Concern and exploration of the state of sculpture language and sculpture marginalization require a boundary and unity. With the richness of sculptural language to expand research, express new forms of innovation, reflect the new aesthetic connotation.