元代中后期的戏曲艺术思想,以追求和实现“冲淡平和的性情之正”为主要审美风尚;以《琵琶记》为代表的“高台教化”观念已成为元末文人剧作家的一种集体潜意识。《中原音韵》的成书,表明元代文人是以散曲意识为本位来确立元杂剧的审美观和创作观的;《录鬼簿》的出现,则标志着中国的戏剧意识在元末已开始步入自觉阶段。 In the middle and late Yuan dynasty, the traditional art of opera thought as the main aesthetic style in pursuing and realizing “positive and moderate temperament”; the concept of “Gaotai Education” represented by “Pipa” has become the literati dramatist A collective unconscious. The publication of “Zhongyuan rhyme” shows that the literati of Yuan dynasty established the aesthetic outlook and creative concept of Yuan drama based on the consciousness of Sanqu. The appearance of “recorded ghost album” marked the beginning of Chinese drama consciousness in Yuan Dynasty Into the conscious phase.