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阿来的《格萨尔王》对西藏格萨尔王的传奇进行了重述。对这部作品从“重述的困境”、“说唱人的重要性”和“史诗的现代命运”三个方面进行分析可以看出,作者在重述史诗时面临着双重困境,即一方面要保持史诗原有的精神面貌,另一方面要转成小说叙事。小说中说唱人的重要之处恰好可以解决这个矛盾,但阿来和说唱人的重述却向人们昭示了史诗及其重述的现代命运。
Ah Lai’s “King Gesar” recounts the legend of King Gesar in Tibet. An analysis of this work from three aspects of the “dilemma”, “the importance of the rapist”, and “the modern fate of the epic” shows that the author is faced with double Predicament, that is, on the one hand to maintain the original spirit of the epic, on the other hand turn into a novel narrative. The significance of the rapist in the novel can solve this contradiction. However, the recitation of Ahlai and the rapper reveals the modern destiny of the epic and its recapitulation.