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现代主义运动使得人类对于科技介入后突发的社会格局的变化有了相对充分的准备,人们可以更加宏观地利用现代主义时期所赋予的警惕性和源于西方资本主义生态环境中的观念和逻辑来迎接每一天的挑战。中国社会也在这样的国际背景下,迅速建立起具有中国特色的社会发展格局。但今天人们正在面临一场比现代主义时期更为严峻的挑战,那就是现代资本运营的方式对科技迅速发展的依赖超越历史上任何一个阶段——人对人造物的“依赖”和“期待”远远超出人们可控的范围。二战后由于资本发展的必然诉求导致的国家间对科技和文化发展的努力与对抗愈演愈烈,这使得无论是科技的研究目标还是文化艺术的发展方向都变得模糊起来。本文在这样的历史背景下,阐述新科技介入后艺术格局的变化,虚拟数字时代的读图方式和方法的变化,以及科技目标模糊化后的设计策略变化。
The modernist movement has made mankind relatively ready for the sudden changes in the social pattern after the intervention of science and technology. People can more macroscopically use the vigilance given by the modernist period and the concepts and logic stemming from the ecological environment of Western capitalism To meet the challenges of every day. Under such an international background, Chinese society has rapidly established a social development pattern with Chinese characteristics. Today, however, people are facing a more severe challenge than the modernist era. That is, the way modern capital operation relies on the rapid development of science and technology goes beyond any stage in history - man’s “dependence on mankind” and “ ”Expectations" goes well beyond people’s control. As a result of the inevitable demands of capital development after World War II, the efforts and confrontations between countries on science and technology and cultural development have become increasingly fierce. This has made both the research goal of science and technology and the development direction of arts and culture blurred. Under such a historical background, this article expounds the changes of the art pattern after the intervention of new science and technology, the change of the way and method of reading pictures in the virtual digital era, and the change of design strategies after the goal of technology is blurred.