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晚清作家欧阳鉅源的曲剧《新上海传奇·观赛》,描写了游客走出张园时的心情:“心怠惰,意郎当,花开陌上徐徐唱。早已是隐约灯光闪道旁。”①虽说心怠意惰,对其中某些人而言,另一类“城市生活”只是拉开了序幕。隐约灯光中,一个白天见不到的城市才刚露脸。开埠初期的王韬,曾为我们描绘过这个夜色掩映中的“城市”:[县]城外环马场侧(英租界内——引者)。酒地花天,别一世界,女闾成市……每夜谯楼鼓动,门外皆缀一灯,从桥畔望之,丛密如繁星。每当夕阳西坠,红裙翠袖,历乱帘前。
In the late Qing Dynasty writer Ouyang Juyuan’s musical “New Shanghai Legends View Contest”, depicting the mood of tourists when they walked out of Zhang Yuan: “The slothful idols are singing when they bloom in the streets. ” Vague lights, a city can not see the day just appeared. At the beginning of the port, Wang Tao portrayed us as “City” in the darkness: [county] Horseshoe field outside the city (British concession - cited). Wine to spend days, another world, female Lu into the city ... ... Night Tower agitated, the door is decorated with a lamp, looking from the bridge, dense clusters of stars. Whenever the sun falls west, red skirt Tsui sleeves, chaotic curtain in front.