论文部分内容阅读
《儒林外史》中对于传统绘画构图的“以小观大”的灵活运用,使得其不仅具有思想上的深刻性,更加深了小说的美学鉴赏价值。从人物形象塑造与故事元素的选择上,吴敬梓都继承了绘画艺术中的“以小观大”的基本创作原则。文章试图从传统美学的观点来加深对《儒林外史》的理解。
The flexible application of the composition of traditional painting to the concept of small size in the outside of the Scholars makes it not only ideologically profound, but also deepens the aesthetic appreciation value of the novel. From figuring out the characters and selecting the story elements, Wu Jingzi inherited the basic principle of creation in painting art. The article attempts to deepen the understanding of “Scholars” from the traditional aesthetic point of view.