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约瑟夫.康拉德的长篇社会小说《诺斯托罗莫》以其史诗般恢弘的场面、独特新颖的创作手法和丰富的思想内涵成为20世纪的经典之作。我国学者对它的介绍和研究远为不够。本文从叙事学的角度对小说的螺旋式结构及其叙事功能进行研究,提出在《诺斯托罗莫》中,康拉德以螺旋式结构的方式对生活、对历史进行了人为的、逼真的模仿。迂回曲折的螺旋叙述方式不仅产生了反讽的艺术效果,而且增强了小说的真实感,创造了浓郁的生活气息,使小说的认识价值和审美价值都得到了充分体现。这种小说诗艺结构的创设不仅使作者可以多层次、多角度、更加客观真实地反映事件,再现历史,而且大大提高了作品的丰厚性、含蓄性和作品题旨的多义性。
Joseph Conrad’s long-range social novel “Nostromo” has become a classic of the 20th century with its epic scenes, unique and novel creative techniques and rich ideological connotation. Our scholars have far less introduction and research on it. This article studies the spiral structure and its narrative function of the novel from the angle of narratology, and puts forward that in the case of “Nostromo”, Conrad has made a life-like and history-based man-made and realistic Imitation. The twists and turns of the spiral narrative not only produced the ironic artistic effect, but also enhanced the novel’s realism and created a rich flavor of life, so that the novel’s cognitive value and aesthetic value have been fully reflected. The creation of this novel poetic art structure not only enables the author to reflect events and reproduce history more objectively and truthfully from multiple levels and angles, but also enhances the generousness, implicitness and ambiguity of his works greatly.