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清乾隆至光绪年间出现多种以清代骈文为辑录对象的骈文总集,这些骈文总集具有一定的文献价值与文学批评意义。从文献价值来讲,一是保存了没有文集传世作者的骈文作品;二是保存了作家传世文集之外的骈文作品;三是在文本校勘方面具有一定价值。文学批评方面,一是与乾嘉骈文尊体思潮相呼应,编选者表达了推尊骈文文体地位的态度;二是提出了符合儒家正统文艺思想要求的骈文创作原则与审美标准;三是对清当代骈文创作进行了总结与评论,包括对清代骈文创作的总体肯定,对清初骈文作家的指摘,对清代骈文风格的评论等。
During the period from Qing Emperor Qianlong to Emperor Guangxu, there appeared a large number of general collections of prose collected in the Qing Dynasty as the object of prose collection. These general collections of prose have certain literary value and literary criticism significance. In terms of documentary value, one is the preservation of the novels of novels handed down by the anthology; the other is the preservation of the works of prose beyond the collection of writers’ handed down anthologies; and the third is of some value in textual collation. In terms of literary criticism, one is echoing the Zenist style of Zong Jia and the other is that the compilers expressed the attitude of promoting the status of the prose style; the other is the proposed principles and standards of aesthetic writing that meet the requirements of Confucian orthodox literature and art; The contemporary prose writing was summarized and commented on, including the affirmation of the prose writing in the Qing Dynasty, the criticism of the prose writer in the early Qing Dynasty, and the comment on the prose style in the Qing Dynasty.