学习中国山水画,临仿传统绘画名作是一种行之有效的办法,临仿的过程中要做到有所取,有所舍,有所变,自然而然就会变成一种艺术上的创新。恽寿平的山水画在清初摹古风气盛行之下,也同样采取了临仿的方式,然后在临仿的基础上再参之以造化和心源,对传统进行了再创新并自成一家面貌。本文通过对其部分临仿作品的研究,分析出他的山水画作品临仿与创新之间的关系,为后学山水画者创新提供一条可供参考借鉴的道路。 Studying Chinese landscape painting and imitating the traditional masterpieces of painting is an effective way, and in the course of adulteration, we should make a difference and make some changes and some changes will naturally become an artistic innovation. In the early Qing dynasty, the landscape painting of 恽 Shouping also adopted the imitative way, and then based on the imitation, it made the tradition and creation again and made its own appearance. Through the research on some of its imitations, this paper analyzes the relationship between imitation and innovation of his landscape works, and provides a reference for the later landscape artists to learn from.