“广东剧作京许雁作品研讨会”近期在广州召开。这次研讨会是由《新剧本》编辑邵、广东省艺术研究所和广州市文艺创作研究所联合举办的。许雁原是部队文工团员,1985年转业到广州市文艺创作研究所担任专业编剧,五年中接连写出《裂变》、《哦,女人们》、《我是太阳》和《情结》四部大型话剧。几年来,许雁还发表电影、电观文学剧本十余部。其中电影剧本《岁月匆匆》由珠江电影制片厂搬上银幕,并翻译成四国语言向国外发行,《继母》获首届全国优秀电视剧“金鹰奖”,《白栅栏》获电视剧“飞天奖”。到会同志认为,许雁的作品在反映变革、进行艺术探索方面,超越了岭南地界而属于全国。 “Beijing Opera Beijing Opera Symposium Works” recently held in Guangzhou. The symposium was jointly organized by editor Shao of New Script, Guangdong Institute of Arts and Guangzhou Institute of Literary and Art Creation. Xu Yan was originally a member of a military artifice. In 1985, he was rehired to the Guangzhou Institute of Literature and Art Creation as a professional screenwriter. In five years, Xu Yan wrote a series of four major festivals such as “Fission,” “Oh, Women,” “I Am the Sun,” and “Complex.” In the past few years, Xu Yan has also published more than ten films and electro-literary scripts. Among them, the screenplay “Time In Hurry” was put on the screen by the Pearl River Film Studio and translated into four languages ​​to be distributed overseas. “Stepmother” won the Golden Eagle Award for the first national excellent TV series and “Flying White Award” for the TV series “White Fence”. The comrades in attendance hold the view that Xu Yan’s work belonged to the whole country in reflecting the realm of change and carrying on artistic exploration beyond the boundary of Lingnan.