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随着电视事业的飞速发展,电视屏幕愈来愈绚丽多彩;随着电视文化的逐步确立,电视文学日渐成为一个引人瞩目的领域:“电视小说”、“电视散文”、“电视诗”、“电视报告文学”等新颖、独特的电视文学节目,相继在屏幕上涌现,并且日益显现出它们对增强屏幕的文学性,深化电视文化的本体意识,乃至于提高整个民族文化素质的重要性。其中,“电视小说”的产生和发展,尤应引起我们的重视。“电视小说”,并非我国所独有,它早已成为一种国际共有的文化现象:苏联有电视小说《契诃夫人物系列》,日本有电视小说《阿信》,拉美有电视小说《父女之间》、《诽谤》;就连香港也开始制作“电视小说”,总称“文学系列”。由此可见,“电视小说”的出现,是电视事业发展的必然,也是电视文化发展的必然。“电视小说”的本体是文学,是文学的电视化,小说的电视化。它的出现,充分地说明:当人类进入电子的时代,一种全新的文化意识,将把人类载入高度文明的新世纪。
With the rapid development of television, the TV screen becomes more and more colorful. With the gradual establishment of television culture, television literature has become an attractive field: television novel, TV prose, TV poem, New and unique television and literature programs such as “TV Reportage” have emerged on the screen one after another, and they are increasingly showing their importance in enhancing the literary nature of the screen, deepening the ontology awareness of television culture and even raising the overall cultural quality of the entire nation. Among them, the emergence and development of “TV novel” should draw our attention. “TV novel” is not unique to our country. It has long been an internationally shared cultural phenomenon: the Soviet Union has a television series “Chekhovsky”, a television novel “Ascension” in Japan, a television novel “Father and daughter Between, ”“ slander ”; Even Hong Kong has begun to produce“ TV novel ”, collectively known as“ literary series. ” Thus, the appearance of “TV novel” is inevitable for the development of TV industry and inevitable for the development of TV culture. The main body of “TV novel” is literature, which is the televisionization of literature and the televisionization of novels. Its appearance fully demonstrates that when mankind enters the electronic age, a brand-new cultural awareness will load humankind into the highly civilized new century.