鲁迅《失掉的好地狱》与穆旦《神的变形》都是以“神魔之争”作为题材的,很值得比较,但却少有论文将这二者作对比分析。在思想内容上,这两篇文学作品极其相似地表达了对现实、历史乃至人性的洞察。但在艺术手法方面,却有着较大的不同:鲁迅的散文诗《失掉的好地狱》委婉含蓄、耐人寻味,而穆旦的诗剧《神的变形》则直抒胸臆、坦率直露。 Both Lu Xun’s Good Hell Lost and Mu Dan’s Deformation of God are all based on the theme of “controversy between the gods and the demons,” which is worthy of comparison. However, few papers have compared these two for comparative analysis. In ideological content, these two literary works express similar insights about reality, history and even human nature. However, there are great differences in artistic techniques: Lu Xun’s essay poem “The Good Hell Lost” is subtle and thought-provoking, while Mu Dan’s drama “The Deformation of God” is straightforward and straightforward.