用时下油画界的划分法,刘绍昆属第三代画家:下兵团,当知青,闹“文革”,有工农兵生活的体验,靠速写起家搞创作,作品内容外向、倾注于社会,与时下流行于新生代中的所谓关注自我生存状态的美学观大相径庭(起码是崛起于画坛的80年代那会儿)……均是这代人的共同特点。当然,中国架上绘画的魅力和信念在他们的身上也体现得最充分,他们从没想过要破坏传统美术的基本规则。所以,把刘绍昆说成是坚定的架上绘画主义者,也 With the current division of oil painting industry, Liu Shaokun is the third generation of painters: Corps, educated youth, troubled the “Cultural Revolution”, the workers and peasants and soldiers experience of life, rely on the speed of writing home engage in creative work content outbound, devoted to society, and nowadays The so-called aesthetics of the so-called self-existence in the Cenozoic is quite different from the aesthetics of the self-existence (at least as it was in the 1980s) ... all of which are the common features of this generation. Of course, the charms and beliefs of the paintings on Chinese planes are also manifested to their fullest extent. They never imagined the fundamental rules that would undermine the traditional art. Therefore, Liu Shao-kun is said to be a firm frame-paintingist, too