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在当代世界的版画家中,我们很少看到有谁象法朗士·麦绥莱勒这样的勤奋、多产,而又如此富有战斗精神。他从1917年开始创作,直到1971年病故,在这半个多世纪当中,始终紧握手中的刻刀,以木刻为主要的武器,揭露黑暗、歌颂光明;反对战争、拥护和平。不仅留下了数以万计的作品,而且为资本主义世界的美术家们树立了一个不屈不挠、坚持进步,奋斗终生的光辉榜样。 他创作于1971年的《怪人》,是一幅具有深意的作品。麦绥莱勒用版画语言刻划了一个疯子的形象。我们面对《怪人》这幅木刻,立刻就会为画中那个
Of the printmakers in the contemporary world, we seldom see anyone who is hardworking, productive, and fighting-like Phaserlause Suisse. He started writing works from 1917 until he died in 1971. During these half-centuries, he always gripped the grave knives in hand and used woodcut as the main weapon to expose the darkness and praise the light. He opposed the war and supported peace. Not only has it left tens of thousands of works, but it has also set a brilliant example for the artists in the capitalist world with perseverance, persistence in progress and life-long struggle. His “Frankenstein”, created in 1971, is a profound work. Mai Sui Lai Lele engraved with a print language crazy image. We face the “weirdo” piece of woodcut, it will be the one in the picture