《中国戏剧》以“当代戏剧之命运”为题展开的讨论已近尾声,编辑部的高扬先生几次提醒我关注这场讨论,并催促我写篇东西参加争鸣。但是,当我读过参加讨论的文章之后,却深感茫然。我发现,这场讨论涉及的问题已是相当广泛,以当代文化的大环境、演出团体的体制问题,国家关于戏剧艺术的政策问题以及对戏剧现状的总体评价问题,等等,都已成为讨论的对象并有不同的看法。一般地说,这些问题都与“中国戏剧的命运”有关,如能认真研 The discussion on “Chinese Theater” titled “The Fate of Contemporary Drama” is almost complete. Mr. Gao Yang of the Editorial Department reminds me of this discussion on several occasions and urges me to write something for the debate. However, when I read the articles that participated in the discussion, I was deeply lost. I have found that the issues covered in this discussion have been quite extensive. The issues of the contemporary cultural environment, the institutional problems of the performing arts groups, the state’s policies on the arts of drama, and the overall evaluation of the status quo of the drama have all been discussed The object and have different views. Generally speaking, all these issues are related to “the fate of Chinese drama” and should be carefully studied