“隐蔽的上帝”是戈德曼悲剧观最重要的前提,由此导引出了他全部理论的核心——“打赌”。在对“此在”意义的发问中,它恢复了人与世界的统一,赋予了向希腊时期就被抛弃了的古典主义回复的希望,因而使得人的模棱两可的存在具有了有意义的悖谬性质。被打赌存在的“上帝”其实是一种关系,一种随着历时性发展而不断被建构的批判性反思关系。这才是悲剧观的全部意义。 “Hidden God” is the most important premise of Goldman’s tragedy view, which leads to the core of all his theories - “betting.” In questioning the meaning of “this”, it restored the unity of man and the world, gave hope to the abandoned classical replies in the Greek era, and thus made the ambiguous existence of human beings meaningful and absurd . The “God” that is betted is actually a relationship, a continually reconciled relationship of reflexivity that has been built over time. This is the full meaning of the concept of tragedy.