一张名为“芒德布罗集”的模拟图,它的局部与整体的变化关系引起了我对中国画“简”与“繁”的思考。在中国山水画中,画面的构成是由简单的树、石、云、水等基本要素经过一定的章法组织而成。本论题主要研究中国山水画中的“简”与“繁”。是从审美角度观察,如何用“简”创造出抽象意境,用“繁”创造丰富和精美。通过对中国山水画审美“简”与“繁”的研究更好地探索学习中国山水画。 A simulacrum named “Mundebro” “ ’s set, its partial and overall changes have aroused my thoughts on Chinese painting ” Jane “and ” Fan “. In the Chinese landscape painting, the composition of the screen is made up of simple rules such as simple tree, stone, cloud, water and other basic elements. This thesis mainly studies ”Jane“ and ”Fan“ in Chinese landscape painting. From the aesthetic point of view, how to use ”Jane “ to create an abstract mood, with ”Fan “ to create rich and beautiful. Through the study of the aesthetic Chinese ”Jane “ and ”Traditional " of Chinese landscape painting, we can better explore and study Chinese landscape painting.