“后妈”母题黑孩儿是一个被爱与温暖疏离的孩子。在四五岁时,黑孩很有灵性,说起话来像竹筒里晃豌豆,嘎嘣嘎嘣脆,可是后来,他的话越来越少,动不动就像尊小石像一样发呆。究其原因,主要是因为他的父亲下了关东,一去多年没有个影,后娘虐待他,一喝醉就要打他,拧他,咬他。进入深秋,寒气袭人,黑孩儿没有衣服穿,光着脊背,露着小腿,累累疤痕闪着亮。很显然,就像《白雪公主》与《灰姑娘》一样,莫言在此套用了古老的“后妈”母题,但“后妈”只是故事 “Mothers ” Motif black child is a child loved and warm alienated. At the age of four or five, the black child was very spiritual. She spoke like a bamboo pea shake pea, but she later became less and less like a stone statue. The reason is mainly because his father under the Kanto, one for many years there is no shadow, stepdaughter abuse him, a drunk will beat him, screw him, bite him. Into the late autumn, the cold was very hot, black children did not wear clothes, bare back, bare legs, scars flashing bright. Obviously, like Snow White and Cinderella, Mo Yan applies the old Mothers motif here, but Mothers is just a story