上世纪60年代后,随着民族声乐作为一个专业在音乐院校开始起步以后,受学院派美声唱法有意、无意的影响,人们开始了对中国民族声乐声音的审美及其发声演唱技术的探索。如果说上个世纪60年代前中国民歌歌手的男女高音的声音,特别是高声区的演唱是以拉直的声音完成音长时值和歌曲表现的一部分,那么,当今的民族唱法的男女歌手在声音,尤其是高音的运行方面则出现了新的情形。 Since the 1960s, as the national vocal music began to be a major in music schools, people began to explore the aesthetics of Chinese vocal music and its vocals singing skills. If the voices of men’s and women’s treble of Chinese folk singers before the 1960s, especially the singing of high voices, are part of the performance of tonal length and performance with straightened voices, then the singer-songwriter of today’s national singing style A new situation has arisen in the operation of sound, especially the treble.