论文部分内容阅读
建筑本身具有对社会的思考,对自然的思考,对秩序的思考,具有创新价值的建筑其实从未摆脱哲学的影响。王澍作品背后具有深厚的中国传统文化积淀和中国文人哲学的渗透。“天人合一”是中国古典哲学最重要的根源之一,王澍力求在他的作品中体现这种哲学趣味,无论是从建筑外在的视觉格局,内在的光线感受,还是借助时间和植物的工具来完成这种期待。回归传统文化,不仅是在建筑领域、或视觉方面,而在中国人文化产业全方位复兴浪潮的今天已经成为了一种必然。笔者认为王澍作品的最大价值就是千篇一律的钢筋水泥中给予了我们一个指向传统文化的方向,并通过实践昭示了一种可能性。
Architecture itself has the social thinking, thinking of nature, thinking of the order, with innovative value of the building has never been out of the influence of philosophy. The deep accumulation of traditional Chinese culture and the infiltration of Chinese literati philosophy lie behind Wang Shu ’s works. “Oneness of Nature and Man ” is one of the most important causes of classical Chinese philosophy. Wang Shu strives to embody this kind of philosophical interest in his works, both from the external visual structure of the building, the inner light feeling, or by means of Time and plant tools to accomplish this expectation. Returning to traditional culture is not only in the field of architecture, but also in the visual field. Nowadays, the tide of revival of Chinese people’s cultural industry in all directions has become a necessity. The author believes that the greatest value of Wang Shu’s works is that we give us a direction toward traditional culture in the stereotyped reinforced concrete and show a possibility through practice.