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在传统行业的“潜规则”受到互联网透明模式冲击以来,人们对所处的这个“消费世界”以乎有了更多的“知情权”和“公平交易权”;而在艺术品消费规模日益增长的当下,“大数据时代”的来临,使更多人有机会、有能力加入这一行消费行列成为司能。虽然艺术行业在中国的发展有其“特色”和特殊之处,但任何人想要完全独立于大势所趋的互联网运作模式,对于自身的长远发展来说也是不甚现实的。而附着信息化标签的当代艺术,今天又都是怎样的面貌呢?在“冤家们”面面相觑的矗立利益分布似乎还不怎么明确的新大陆版图上,谁又能堪当“转型”的重任且笑到最后?
Since traditional industries “unspoken rules ” have been hit by the transparent mode of the Internet, people have more “right to know” and “fair trade rights” in this “consumer world” At the moment of the increasing consumption of works of art, the advent of the “big data era” has enabled more people to have the opportunity and the ability to join the ranks of consumers as Secretary-General. Although the development of the art industry in China has its own “special features” and special features, it is unrealistic for anyone to want to be completely independent of the Internet’s mode of operation for the general trend of development. And contemporary art with informational labels attached to it is what it looks like today. On the New Mainland territory where the distribution of interests does not appear to be quite clear on the “friends”, who can be the “transition” The important task and the last laugh?