吴起糜粘画是陕北广大劳动人民用谷物种子经手工粘制的美术工艺品,发展历程的一个缩影。由最早的“瓜子娃娃”到豆类作物种子粘的“蛇盘兔”等图画到今天的糜粘画。经历了奴隶制社会至科举制度初期。随着时代的推进而衍生流传。期间,从千人万人之手制作中走进民间,走进千家万户。新中国成立后,谷物种子粘贴的民间工艺品技艺精道、图案丰富、内涵扩延,广泛 Wu Qimian sticky painting is a microcosm of the development process of art handicrafts made by hand working by the working people in northern Shaanxi. From the earliest “melon child ” to the bean crop seed stick “snake disc rabbit ” and other drawings to today’s Mi stick painting. Experienced the slavery society to the early imperial examination system. With the advancing of the times and derivation. During the process, thousands of people from the hand into the private sector, into the tens of thousands of households. After the founding of New China, cereal seeds pasted folk crafts fine arts, pattern rich, extended connotation, extensive