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从《我的家乡沂蒙山》到《在希望的田野上》和《我爱你塞北的雪》,从《高天上流云》、《我们是黄河泰山》到《父老乡亲》、《在中国大地上》……这众多的原创歌曲,折射出彭丽媛一步步走向民族歌唱艺术辉煌的轨迹。彭丽媛20多年来坚定不移的在民族声乐的这条道路上不断发展、开拓,在她身上,不仅体现了洋为中用,还体现了古为今用,继承和借鉴一切有利于中国民族声乐发展的东西为我所用。这同时也拓宽了中国民族声乐的发展道路,为中国民族声乐的学习者们做出了榜样;为中国民族声乐的研究者们开辟了新的思路。本文从艺术风格的角度对彭丽媛演唱的歌曲《在中国大地上》进行总结、分析和研究,从而启发和引导广大热衷于学习和研究民族声乐的青年,从主观上必须具有开放的歌唱观念和灵活的思维方法,不断为民族声乐艺术注入时代的精神和新鲜的血液,才能使中国的民族声乐艺术具有时代性、科学性和民族性。
From “My hometown Yimeng Mountain” to “On the field of hope” and “I love you Saibei snow”, from “high clouds”, “We are the Yellow River Taishan” to “patriarch”, “in China On the ground ”... ... many of these original songs, reflecting Peng Liyuan step by step towards the glory of national singing track. For more than 20 years, Peng Liyuan has been steadily developing and expanding on this path of national vocal music. She not only embodies the foreign use but also inherits and draws lessons from the development of China’s national vocal music For my use It also broadens the path of development of Chinese national vocal music and sets an example for Chinese vocal learners; it opens up new ideas for Chinese national vocal music researchers. This article summarizes, analyzes and researches Peng Liyuan ’s song “On the Land of China” from an artistic style, so as to inspire and guide the vast majority of young people interested in studying and studying national vocal music. They must have an open concept of singing and flexibility in subjective sense Thinking method, constantly injecting the spirit of the times and fresh blood into the art of national vocal music can make the art of Chinese national vocal music with the times, science and nationality.