钢琴伴奏是高师声乐教学活动中不可或缺的组成部分,随着声乐教学理念和教学模式的转变,钢琴正谱伴奏与即兴伴奏在声乐教学中所处的地位和作用引得业内的争论。本文对钢琴正谱伴奏与即兴伴奏的源流与发展进行回溯,并将二者置于声乐教学活动中观测其优缺点,进而指出二者在当下的声乐教学活动中可以互补与共融。 Piano accompaniment is an indispensable component of the vocal music teaching activities of normal colleges. With the change of vocality teaching philosophy and teaching mode, the piano’s regular accompaniment and improvisation accompanies the position and role of vocality in the teaching of vocal music, which leads to the debate in the industry. This paper reviews the source and development of piano regular accompaniment and impromptu accompaniment, and puts the two in the vocal teaching activity to observe its advantages and disadvantages. Then it points out that both can complement each other and integrate in the contemporary vocal teaching activities.