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本文从摄影的角度,分析特伦斯·马利克独特的反战题材影片《细细的红线》,通过导演对色温、机位、景别的个性运用,揭露战争真谛,透视人性异化。探究战争电影的表现形式于传统战争类型电影语言规则之外的新路。
This article analyzes the “thin red line” of Terrence Malik’s unique anti-war film from the perspective of photography. Through the director’s use of color temperature, plane and scenery, exposing the true meaning of war and looking into the alienation of human nature. Explore new forms of war movie manifestation beyond the rules of the language of traditional war films.