“马郎房”是代表苗族婚恋文化的俗语词。清代舒位在《黔苗竹枝词》中用“马郎房底好姻缘”的诗句对苗族自由婚恋习俗加以歌咏。但是在清代民国时期,这种自由婚恋只是一种假象。当今时代,贵州“八寨黑苗”民族青年男女婚恋有着自己的模式和规范,保存了许多原始的婚姻习俗又有所发展,是苗族文化的一大特色。从文献学与民俗学入手,结合田野调查,对“马郎房底好姻缘”进行历时分析和辩证。 “Malang room ” is a common saying on behalf of Miao marriage and love culture. Qing Dynasty Shu-bit in “Qianmiao Zhuzhici” with “maroon room good marriage ” verse on Miao free marriage custom to be sung. However, in the Qing Dynasty and the Republic of China, this kind of free marriage was just an illusion. Today’s age, Guizhou “Bazhai Black Miao ” ethnic young men and women have their own marriage style and norms, save many of the original marriage customs and development, is a major feature Miao culture. Beginning with the literature study and folklore, combined with fieldwork, we analyze and dialectically analyze the “Marilyn’s Marriage in the Housing”.