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我们的确处在一个艺术形式不断变革,或者说不断探索的时代。只要看看我们的艺术创作现状,这一点是不言自明的。当代绘画在很大程度上已经放弃了所谓古典艺术的题旨与表现,它们从不同的角度和以不同的语言解释着各自眼中的世界,它们展示了多种可能性。 一个时期以来,有些绘画轻视自身的审美价值,而去承担过量的思想重压,追求所谓“深度”,忘却了应有的“审美”意义。这是令人堪忧的。 质言之,一些作品的弊病是——对思想力量的迷信和对美学意义的忽视,这是相当偏颇的。注意到这一点,我们将会减少一些喻意浅薄,想象拙劣,感觉乖戾的作品;美感是与人类生命同在的,它是一种价值,是一种境界,美感的力量是巨大的,也是无可替代的。 因此,拒绝美感是荒谬的。 本期推出的名家是吟咏北方的中年画家富中奇。他的作品以浓郁的地域特色,让我们领略了一种原生态的蛮荒之美和纯净之美,体现出一种民族文化意蕴。其他画家亦各具特色,请读者们在分析中鉴赏。
We are indeed in an era of ever-changing or constantly exploring forms of art. It is self-evident that we should look at the status quo of our artistic creation. To a large extent, contemporary painting has given up the themes and manifestations of so-called classical art, which interpret the world in their own eyes from different perspectives and in different languages. They show many possibilities. Since a certain period of time, some paintings have despised their own aesthetic value, and have to bear the heavy thought pressure, pursue the so-called “depth” and forget the due “aesthetic” meaning. This is worrying. In other words, the shortcomings of some works are: the superstition of ideological forces and the neglect of aesthetical meanings are rather biased. Attention to this point, we will reduce some metaphorical, clumsy, feeling obedient works; beauty is with human life, it is a value, is a state, the power of beauty is great, but also irreplaceable. Therefore, it is absurd to refuse beauty. The issue of this issue is a famous middle-aged painter Fu Zhongqi chanting north. His works with rich geographical features, let us enjoy a wild beauty of primitive beauty and pure beauty, embodies a sense of national culture. Other artists also have their own characteristics, so readers should appreciate them in their analysis.