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认识李和生,是源于他的书法,可真正生长出想为先生写点文字的冲动,却源于他的散文作品集《小声》。作家余华说过:“写作永远源于内心的需要.”李和生的《小声》,正是基于这种内心的触碰而诞生的。这是一种平和而朴实的叙说,似邻家大哥在为你讲述一个个精彩的故事,娓娓道来,字里行间却蕴藏着纯粹且优雅的书写力量,这种感受会让你手不释卷,一气读完。我很吃惊,这么多年以来,这种阅读的温暖却是在一位书家的笔下世界找到了回归。这之后,我与李和生就时不时聚在一起品茶、聊天、“说文解字”。我不懂书法,更不敢妄加评论,我所能操作的,就是把一幅书法作品当作一篇美文来阅读,在黑白与笔墨之间去探源书家的精神情操和艺术寄怀,去品读书家的天赋灵性及创作内涵。人们常说,中国书法是以汉字为基础的线的艺术,而在李生先的书法作品中我恰恰看到的是一种柔软曲折、绵延不尽而自由延伸的书写线条,一如山涧溪流绵延婉转的自然属性。李先生曾为我书写过两幅条屏,内容是明朝作家陈继儒的《小窗幽记》篇章,铺陈开来,从头至尾弥漫着一种优雅的人格气质,书文浑然一体,含蓄蕴藉,观之令人回味悠长。
Knowing Li He-sheng came from his calligraphy, but his real impulse to write a note for his husband stems from his essay portfolio “Whisper”. Writer Yu Hua said: “Writing always comes from inner needs.” It is on this inner touch that Li He-sheng’s “little voice” was born. This is a kind of plain and simple narrative, like the neighboring big brother tells you a wonderful story, his right, between the lines but it contains a pure and elegant writing power, this feeling will make you feel uncomfortable Finish. I was surprised that over the years, the warmth of this reading has been found in the world of a book writer. After that, I and Li Hesheng get together from time to time tea, chat, “Explain Word ”. I do not know how to calligraphy, but I can not make any improper comments. All I can do is read a calligraphy as a beautiful piece of text, and explore the spirit and art of the calligrapher between the black and the white. , Go to read books, spiritual gift and creative connotation. People often say that Chinese calligraphy is based on the line art of Chinese characters. What I just saw in the calligraphy works of Li Shengxian is a soft and tortuous, endless and freely extending writing line, Natural attributes. Mr. Lee has written for me two screens, the contents of the Ming Dynasty writer Chen Jiru’s “Small Syllabary” chapter, laid open, filled with an elegant personality temperament from start to finish, the book seamless, implicit memory , The concept of memorable long.