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劳特累克一生以蒙马特花花世界中的歌女、舞星、绅士、妓女以及纸醉灯迷的欢乐场面为题材,他自己也长期沉湎于这样的生活。他虽出身显赫却无正常人的健康与欢乐,这种高贵富有和丑陋畸形,使他选择了不同于任何同代艺术家的道路。他从不歌颂美好,也从未描写过上流社会,他选择了放浪自由的花花世界,也选择了表现人生堕落和邪恶的一面。他不去描绘大自然,也不说教劝善,而全凭自己的感觉和切身体验,直率地去揭示他所熟悉的也是一般人不轻易表现的那个世界。他从不赞颂高雅和粉饰生活,而用嘲讽夸张的画笔,描写可笑而令人生厌的形象。可以说他完全摆脱了传统和社会道德的束缚,任凭自由奔放的个性去揭示人生另一个阴暗的侧面。
Lautrec life to Montmartre world of singers, dancers, gentlemen, prostitutes and paper jazz fans happy scene as a theme, he himself also long-term indulgence in such a life. Although prominent in his appearance but without normal human health and joy, this noble and ugly deformity has led him to choose a different path from any contemporary artist. He never praised beauty, never described the upper class society, he chose the world of freedom and freedom of flowers, but also chose to show the life of the fallen and evil side. He does not depict nature nor preach persuasion, but based entirely on his own feelings and personal experience, he goes so far as to reveal that he is familiar with the world that most people do not easily show. He never praised the elegance and whitewashing, but ridiculed exaggerated brush, describing the ridiculous and annoying image. It can be said that he completely get rid of the shackles of tradition and social morality, despite the free-spirited personality to reveal another dark side of life.