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近年来,随着中国电影在国际上屡获大奖,怎样看待和评价其中某些具有中国情调风格的作品,已成为理论界议论较多的话题。王杰在《广西师范大学学报》1994年第4期上撰文指出,从现实文化关系的角度看待这种东方情调的艺术,我们有理由感到屈辱、压抑,但在分析以东方情调为风格特征的艺术作品对,应该看到中国与西方社会在现实基础以及文化关系方面的差异,进而分析对待这些作品的不同的审美态度,还应该分析中西文化在艺术表达机制方
In recent years, as Chinese films have won prizes in the international arena, how to treat and evaluate some of the works with Chinese sentiment has become a topic discussed more by theorists. Wang Jie wrote an article in Journal of Guangxi Normal University in 1994, which pointed out that we should reasonably feel humiliation and repression when we look at the art of oriental sentiment from the perspective of the reality of cultural relations. However, in the analysis of the characteristics of oriental sentiment The art work should see the difference between Chinese and western society on the basis of reality and cultural relations, and then analyze the different aesthetic attitudes toward these works. It is also necessary to analyze the differences between the Chinese and the Western culture in terms of artistic expression mechanism