陈杰的工作室,每年来来往往一两千号人,或来品茗,或来聊漆谈艺。这天早上,陈杰与我打过招呼后,第一件事是打开音响,流淌出来的是温柔雅致的《仓央嘉措情歌》。而后他点了一支烟,泡起一壶茶,开始放松地闲聊。这是他这几年来的生活状态:每天早上八点半从家里开车到绿洲家园的别墅,有时候像今天这样会见客人,饮茶畅谈,有时候则在茶室一边的工作室里关起门来做设计。工作室里,堆放着许许多多的图册资料,桌上依然摊放着前一天未完成的草图。会客结束,或是做设计累了,他就到一旁的工坊走动,看看学生们的制作进展 Chen Jie’s studio, coming and going every year a few thousand people, or to tea, or to talk about art. This morning, Chen Jie and I say hello, the first thing is to turn on the sound, flowing out is a gentle and elegant “Cangyang Gyatso Love Song.” Then he ordered a cigarette, soaked a pot of tea and began to relax chatting. This is what he has done in recent years: the villas driving from home to the oasis home every morning at half past eight, sometimes meeting guests today, drinking tea and sometimes closing the door in the studio on the side of the tea house Making designs. In the studio, there are so many books of books stacked, and unfinished sketches of the previous day are still on the table. The end of the meeting, or tired of doing the design, he went to the side of the Workshop to move around to see the students making progress