十年前,中国影坛曾刮起了一股“西北风”,一时间,《黄土地》、《红高粱》成为中国电影的象征。十年后.昔日领军开拓西北的陈凯欧、张艺谋掉头东进,开发起上海的古董铺来。这相隔十年的一东一西题材热,很自然地成为我们考察当代中国电影史的两个路标。毫无疑问,昔日的“西北风”在电影史上比当下的“东南风”拥有更多的地位。一阵“西北风”几乎流 Ten years ago, Chinese cinema had a “northwest wind”. For a time, “yellow land” and “red sorghum” became the symbol of Chinese cinema. Ten years later, former leaders of Chen Kaiou, who pioneered the northwest, Zhang Yimou turned around and developed the antique shop in Shanghai. This hot East-West theme, which has lasted every ten years, naturally became the two signposts for us to examine the history of contemporary Chinese movies. There is no doubt that the former “Northwest Wind” has more status in the film history than the current “Southeast Wind”. A while “northwest wind” almost flow