论文部分内容阅读
[按:美国纽约杂志《戏剧评论》举行笔谈研讨会,总题如上,共分七个问题。被邀请笔谈者为: 黄佐临(上海人民艺术剧院名誉院长) 陈颙(北京中国青年艺术剧院导演) 范逸松(上海戏剧学院形体教师) 赖盛昌(台北艺术研究院戏剧系主任) 钟德民(台北艺术研究院戏剧教授、导演) 钟金发(香港表演艺术学院教务长) 雍念生(香港表演艺术团艺术总监) 郭宝昆(新加坡表演实验中心负责人) 张渝(纽约泛亚剧院艺术总监) 1992年十二月底在纽约出版。原稿英文,由作者自译成中文。发表时原稿有删节。
[By: New York Magazine “Drama Review” held a written discussion seminar, the total problem above, is divided into seven questions. Interviewee: Huang Zuolin (Honorary Dean of Shanghai People’s Art Theater) Chen Xun (Director of Beijing China Youth Art Theater) Fan Yisong (Shape Teacher of Shanghai Theater Academy) Lai Shengchang (Director of Drama Department of Taipei Art Academy) Zhong Demin (Taipei Art Institute Drama Director, Director) Chung Kin Fat (Provost, Hong Kong Academy for Performing Arts) Yong Nian Sheng (Artistic Director, Hong Kong Performing Arts Troupe) Kwok Pak Kun (Head of Singapore Performance Laboratory) Cheung Yu (Art Director, Pan Asian Theater, New York) publishing. Original English, self-translated by the author into Chinese. The manuscript is abridged at the time of publication.