一和许多同道在一起谈论中国画相关问题时,常会涉及一些共性问题,当然评论家、理论家、美学家可以站在自己的学术立场和审美嗜好上发表见解。而作为绘画实践者,考虑更多的是画什么、怎么画的问题。对于中国画而言,我认为“文人画家画”是一个值得探究的课题,其不等同于文人画,更不等同于工匠画,而是两者的有机结合。文人和画家都具有双重门槛,也就是器和道。文人所拥有的学识(器)和情怀(道)构成了文人的品格,这种品格具有共性色彩;画家所具备的技艺(器)和创造力(道)形成了画家的品质,这种品质具有个性特征。也只 When talking about many issues related to Chinese painting with many of them, they often involve some common problems. Of course, critics, theorists and estheticians can express their views on their own academic position and aesthetic preferences. As a practitioner of painting, consider more painting what, how to paint the problem. For Chinese painting, I think “painting of a literati painter” is a worth exploring topic, which is not equivalent to the literati painting, but not the same as the artisan painting, but the organic combination of the two. Both the literati and the painter have a double threshold, namely, Taoism and Taoism. Literati’s knowledge and feelings constitute the literati’s character, which has a common color; the artist’s skill and creativity form a painter’s quality that has Personality characteristics. Only