当前,戏曲的不景气是大家所公认的一个事实。创作出具有高质量的剧本,是关心戏曲命运者的共同心愿。但是,我们现在需要什么样的剧目?“高质量”是个抽象的概念,以黄梅戏论,“老三篇”固然“高质量”,然而,假如今天仍然创作出类似的剧本来,却不一定赢得那样多的观众。原因何在?第一,今天的观众逐渐形成的对戏曲的冷漠感,使他们不愿多走向剧场。没有观众,再好的艺术品也只能被搁置一旁;第二,由 At present, the drama’s downturn is a well-accepted fact. Creating high-quality scripts is a common wish of the opera fate. But what kind of repertoire do we need now? “High quality” is an abstract concept. In Huang Mei’s drama, “The Third Piece” is, of course, “high quality.” However, if similar scripts are still created today, they will not necessarily win So many viewers. The first is why the indifference to the drama gradually formed by today’s audience makes them unwilling to go to the theater more. No audience, no matter how good art can only be set aside; second, by