论文部分内容阅读
虽然“诗骚传统”在中国艺术文化中长期处于主流位置,但国人对于作为“大众文化”的小说的阅读兴趣从未中断。相形之下,对小说作为一种语言艺术的诗学研究显得不够。这种状况对于当代中国小说创作的艺术质量的影响是显而易见的。重申关于小说的诗学研究,并非是要沿袭传统“形而上学”的“本质主义”之论,而是想在“后形而上学”视野下对“何谓好小说”的命题展开思考。在众说纷纭的说法中,从“幽默论”到“悲伤说”的三种见解有必要予以强调,这能给我们的相关思考提供有益的启示。
Although “Shi Sao tradition ” has long been in the mainstream in Chinese art and culture, Chinese people’s reading interest in novels as “popular culture ” has never stopped. In contrast, the research on the novel as a linguistic art is not enough. The influence of this situation on the artistic quality of contemporary Chinese novel writing is obvious. Reiterating that the study of poetics about fiction does not follow the theory of “essentialism” of the traditional “metaphysics” but rather the proposition of “what is a good novel” in the field of “metaphysics” Start thinking. In different opinions, it is necessary to emphasize the three opinions from “humor” to “sadness”, which can provide useful enlightenment for our related thinking.