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2004年11月12日-13日,由辽宁省博物馆主办的中国古代书画艺术国际学术研讨会在沈阳隆重召开。这是迄今为止,在世界范围内首次以清宫散佚书画为主题的学术研讨会,堪称盛举。出席研讨会的代表和列席代表,包括国内(含港澳台地区)以及美、日、韩、俄、加拿大等国的学者140余位,并有200余位各地的艺术史院校学生旁听了会议。会议代表们围绕辽宁省博物馆藏清宫散佚书画展开了多角度、多层次的研讨。兹将此次研讨会中部分学者提出的主要论点综述如下:
From November 12 to November 13, 2004, the International Symposium on Ancient Chinese Calligraphy and Painting, hosted by Liaoning Provincial Museum, was held in Shenyang. This is by far the first academic seminar in the world to be centered around the Qing Dynasty’s calligraphies and paintings. Over 140 representatives from the Mainland (including Hong Kong, Maucao and Taiwan) as well as scholars from the United States, Japan, South Korea, Russia and Canada attended the seminar and attended the conference. Over 200 art history college students attended the seminar . Conference delegates around the Qinghai Provincial Museum of Qing Dynasty scattered paintings and calligraphy multi-angle, multi-level discussion. The main arguments put forward by some scholars at this symposium are as follows: