每个人见到李虹的画都会感到一种震撼,不在于她的画有什么深奥之处,而是她把视角指向了一个黑暗的底层。这种黑暗还不在于一个被抛弃的社会下层,而在于那个令人难以捉摸的精神世界,她以社会的现实为出发点,却走进了一个超越现实的精神领域,迫使我们面对一个尖锐的问题,即人的生存状态,确切地说,是女人的生存状态。她这种直面人生的勇气一方面来自她以前作为记者的敏锐,另一方面也来自一个女性对自我的体验。 Everyone who sees Li Hong’s painting will feel a shock, not because of the esoteric features of her paintings, but instead she points her perspective to a dark ground. The darkness lies not in an abandoned social subterranean society, but in that elusive spiritual world, which takes social reality as a starting point but walks into a spiritual reality beyond reality and forces us to confront a sharp The question, that is, the state of human existence, or rather, is the state of woman’s existence. Her courage to face life stems from her previous acumen as a journalist and on the other hand, from a woman’s experience of self.