李嘉存,近乎戏剧性地进入大众的视野,是他的广告形象。“牙好,胃口就好,身体倍儿棒,吃嘛儿嘛儿香。”这几句京腔京韵几乎成了大众的口头禅。李嘉存的憨态可掬以及他那极具征服力的真纯,把他从相声舞台的调笑里,移向大众的彼此真诚的祝福中。吃嘛儿嘛儿香,越出了生理学的局限,化为一种远瞻生活前景的快乐与自信。侯喜瑞(京剧表演艺术家)、李德伦(中国交响乐指挥大师)、马泰(评剧表演艺术家)、李嘉存和我,五个生长在北京城南的回回人,皆从崇文门外磁器口到前门外珠市口的同一个平行线上度过了童年。天桥的摔 Li Jia Cun, almost dramatic into the public’s perspective, is his advertising image. “Good teeth, appetite is good, the body is double Rod, eat Well why children incense.” These few words Jingjing Beijing rhyme has almost become the public’s mantra. Li Ka-cun’s naivete and his very conquest of the pure, his voice from the stage comic dialogue, the public’s mutual sincere wishes to each other. Why do children eat incense, beyond the limitations of physiology, turned into a long-term prospects for the happiness and confidence in life. Hou Xi-Rui (Peking Opera performer), Li De-lun (master of Chinese symphony), Mattei (drama performer), Li Jia-cun and me, and five Hui people who grew up in the south of Beijing all went from Chongwenmenkou to Zhumen A parallel line spent childhood. Fall of the bridge