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本文以长笛演奏家华佩(1978-)将台湾作曲家邓雨贤创作《雨夜花》、《望春风》、《月夜愁》、《四季红》四首作品,辅以当代长笛演奏技巧,创编为《“四”“月”“望”“雨”的喜怒哀乐》长笛独奏曲,在朗朗上口的旋律中,配搭新颖的现代技巧,呈现喜怒哀乐情怀,令人耳目一新;而当代作曲家庄文达(1958-)创作之《忆·恒春四调》-为长笛与钢琴二重奏,将地道的恒春民谣《思想起》、《四季春》、《牛尾伴》、《平埔调》,融入作品中,同样地表达甜苦愉悦的韵致情绪,作品中也运用许多长笛的演奏技巧,因此,笔者将两首作品深入分析其中歌谣素材与长笛技巧如何融合铺陈,作详实归纳整理,进而做一比较研究,期望能给予现代作曲家一些启发与创作灵感。
In this paper, flutist Hua Pei (1978-) composed four works by Taiwanese composer Deng Yuxian, “Rainy Night Flower,” “Spring of Hope,” “Moonlight Worry,” and “Four Seasons Reds,” supplemented by contemporary flute playing techniques and creating “ ”Flute“ ”flute solo“ in ”four “ ”month “ ”hope “ ”rain “, in the catchy melody, with novel modern techniques, showing emotions, so that The contemporary composer Zhuang Wenda (1958-) created the ”Four Seasons of Recalling Henghuang“ - the duet of flute and piano, introducing the authentic ballad of Hengchun, such as ”thinking from the beginning,“ ”Spring of Four Seasons,“ ” Therefore, the author will analyze in detail two of the works, including the integration of the ballads’ material and flute technique, and the integration of the flute technique into the works. Detailed and summarized, and then do a comparative study, hoping to give modern composers some inspiration and creative inspiration.