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罗兰·巴尔特的“作者之死”着重强调了文本世界解构后的读者的自由,认为在作者的主宰地位被颠覆后,读者获得了完全的解放与自由,可以随意对文本进行肢解,进行可写性阅读。巴尔特的“自由读者”将导致“文本之死”,导致整个文本世界的崩溃。读者的自由应该有所制约,任何自由都是有限的自由,纯粹的自由并不存在(梅洛-庞蒂)。读者在对文本进行自由肢解后,其存在也受到威胁,这正是解构主义“非中心”化后的后工业化时代人类的困境之一。
Roland Barthes’ “The Death of the Author” emphasizes the reader’s freedom after the deconstruction of the textual world. After the author’s dominance is overthrown, the reader has been completely liberated and freed, and the texts can be arbitrarily decomposed. Write sex reading. Barthes’ “free reader” will lead to “the text of the death”, leading to the collapse of the entire text world. Freedom of the reader should be restricted. Any freedom is limited freedom, pure freedom does not exist (Merleau-Ponty). It is one of the predicaments of human beings in the post-industrial era after the deconstructionist “non-centralization” that readers are threatened by their freedom to dismember the text.